{"id":736367,"date":"2025-04-18T08:00:19","date_gmt":"2025-04-18T06:00:19","guid":{"rendered":"https:\/\/www.hashtag.al\/?p=736367"},"modified":"2025-04-18T08:00:19","modified_gmt":"2025-04-18T06:00:19","slug":"the-fighting-temeraire-piktura-e-turner-qe-parashikoi-fundin-e-nje-epoke","status":"publish","type":"post","link":"https:\/\/www.hashtag.al\/index.php\/2025\/04\/18\/the-fighting-temeraire-piktura-e-turner-qe-parashikoi-fundin-e-nje-epoke\/","title":{"rendered":"\u201cThe Fighting Temeraire\u201d, piktura e Turner q\u00eb parashikoi fundin e nj\u00eb epoke","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"

\"\"<\/span><\/p>\n

Nd\u00ebrsa muzet\u00eb n\u00eb mbar\u00eb bot\u00ebn festojn\u00eb 250-vjetorin e lindjes s\u00eb JMW Turner, \u00ebsht\u00eb momenti t\u00eb rishikojm\u00eb piktur\u00ebn e tij t\u00eb famshme \u201cThe Fighting Temeraire\u201d<\/span><\/p>\n

Piktura \u201cThe Fighting Temeraire\u201d e JMW Turner-it u b\u00eb nj\u00eb simbol komb\u00ebtar kur u prezantua p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb vitin 1839 dhe q\u00eb at\u00ebher\u00eb ka ruajtur fam\u00ebn e saj. Ajo \u00ebsht\u00eb votuar si piktura e preferuar e britanik\u00ebve dhe aktualisht ndodhet edhe n\u00eb kart\u00ebmonedh\u00ebn 20 \u00a3. Por mesazhi q\u00eb shumica mendojn\u00eb se p\u00ebrcjell kjo piktur\u00eb mund t\u00eb jet\u00eb ndryshe nga q\u00ebllimi i v\u00ebrtet\u00eb i Turner-it.<\/span><\/p>\n

“Temeraire” n\u00eb titull i referohet nj\u00eb anijeje luftarake britanike me 98 topa, e cila shihet n\u00eb sfondin e piktur\u00ebs. Ajo ishte nj\u00eb hero i luft\u00ebs kund\u00ebr Franc\u00ebs gjat\u00eb Luft\u00ebrave Napoleonike, por n\u00eb vitin 1838, u \u00e7montua dhe u shit p\u00ebr pjes\u00eb, gj\u00eb q\u00eb t\u00ebrhoqi v\u00ebmendjen e publikut. Piktura e Turner tregon k\u00ebt\u00eb anije t\u00eb dikurshme madh\u00ebshtore teksa t\u00ebrhiqet p\u00ebrgjat\u00eb lumit Thames nga nj\u00eb rimorkiator me avull, shum\u00eb m\u00eb modern.<\/span><\/p>\n

N\u00eb filmin e James Bond,\u00a0Skyfall<\/em> (2012), nj\u00eb sken\u00eb p\u00ebrfshin nj\u00eb moment t\u00eb shkurt\u00ebr p\u00ebrball\u00eb k\u00ebsaj pikture. Bond (Daniel Craig) takon Q-n\u00eb e ri (Ben Whishaw) n\u00eb Galerin\u00eb Komb\u00ebtare t\u00eb Londr\u00ebs dhe ata ndalojn\u00eb p\u00ebrball\u00eb piktur\u00ebs. \u201cGjithmon\u00eb m\u00eb b\u00ebn t\u00eb ndihem pak melankolik,\u201d thot\u00eb Q, duke n\u00ebnvizuar kontrastin midis tij, teknologjik dhe modern, dhe Bondit t\u00eb stilit t\u00eb vjet\u00ebr. \u201cNj\u00eb anije luftarake e vjet\u00ebr q\u00eb po t\u00ebrhiqet me turp p\u00ebr t\u2019u \u00e7montuar.\u201d<\/em><\/span><\/p>\n

Kjo sken\u00eb pasqyron mendimin e zakonsh\u00ebm se piktura sjell nj\u00eb ndjenj\u00eb nostalgjie dhe humbjeje t\u00eb lavdis\u00eb komb\u00ebtare. Sipas k\u00ebsaj pik\u00ebpamjeje, Temeraire \u00ebsht\u00eb heroina e heshtur, nd\u00ebrsa rimorkiatori shihet si figura negative. N\u00eb shekullin e 19-t\u00eb, shkrimtari William Makepeace Thackeray e quajti rimorkiatorin “nj\u00eb avullore e vog\u00ebl, e keqe dhe djall\u00ebzore”, nd\u00ebrsa shkrimtari amerikan Herman Melville e p\u00ebrshkroi si “nj\u00eb t\u00ebrheq\u00ebs pigme” krahasuar me “Titanin Temeraire”.<\/span><\/p>\n

\"\"<\/span>Nj\u00eb besim i zakonsh\u00ebm p\u00ebr The Fighting Temeraire t\u00eb Turner-it \u00ebsht\u00eb se ai ngjall nj\u00eb ndjenj\u00eb t\u00eb lavdis\u00eb komb\u00ebtare t\u00eb zbehur (Kredia: Galeria Komb\u00ebtare, Lond\u00ebr)<\/em><\/span><\/p>\n

Mund t\u00eb kuptohet leht\u00ebsisht pse publiku i koh\u00ebs s\u00eb Turner-it ndiente simpati p\u00ebr HMS Temeraire\u00a0 nj\u00eb anije krenare, por tashm\u00eb e p\u00ebrulur, q\u00eb po p\u00ebrballej me fundin e saj. N\u00eb vitin 1804, kjo anije kishte luajtur nj\u00eb rol t\u00eb r\u00ebnd\u00ebsish\u00ebm n\u00eb bllokimin e porteve franceze dhe n\u00eb mbrojtjen e brigjeve t\u00eb Britanis\u00eb. Por momenti i saj m\u00eb i lavdish\u00ebm erdhi pasditen e 21 tetorit 1805, n\u00eb brigjet jugper\u00ebndimore t\u00eb Spanj\u00ebs, n\u00eb Oqeanin Atlantik.<\/span><\/p>\n

N\u00eb at\u00eb \u00e7ast vendimtar, po zhvillohej Beteja e Trafalgarit nj\u00eb p\u00ebrplasje e ashp\u00ebr mes Marin\u00ebs Mbret\u00ebrore Britanike dhe flot\u00ebs s\u00eb p\u00ebrbashk\u00ebt t\u00eb Spanj\u00ebs dhe Franc\u00ebs. HMS Victory, anija e komanduar nga admirali legjendar Lord Nelson, ishte n\u00eb qend\u00ebr t\u00eb sulmit, por po p\u00ebsonte goditje t\u00eb r\u00ebnda nga anija franceze Redoubtable.<\/span><\/p>\n

Nga tymi i betej\u00ebs doli n\u00eb sken\u00eb HMS Temeraire, e ndjekur nga disa anije t\u00eb tjera britanike t\u00eb gatshme p\u00ebr betej\u00eb. Temeraire sulmoi Redoubtable me artilerin\u00eb e saj dhe u godit r\u00ebnd\u00eb n\u00eb k\u00ebmbim nj\u00eb stuhi predhash q\u00eb la plag\u00eb dhe gjak n\u00eb kuvert\u00ebn e saj. Por, si nj\u00eb luft\u00ebtare e fort\u00eb, Temeraire nuk u t\u00ebrhoq. Ajo mbrojti me guxim anijen aleate dhe luajti nj\u00eb rol ky\u00e7 n\u00eb fitoren e madhe t\u00eb Britanis\u00eb n\u00eb k\u00ebt\u00eb betej\u00eb historike.<\/span><\/p>\n

Turner ishte 64 vje\u00e7 kur pikturoi \u201cThe Fighting Temeraire\u201d. Ai kishte lindur n\u00eb vitin 1775, pran\u00eb zon\u00ebs Covent Garden n\u00eb Lond\u00ebr, dhe n\u00eb mosh\u00ebn 14-vje\u00e7are u pranua n\u00eb Akademin\u00eb Mbret\u00ebrore t\u00eb Arteve, nj\u00eb nga institucionet m\u00eb prestigjioze t\u00eb koh\u00ebs. N\u00eb mosh\u00ebn 24-vje\u00e7are u b\u00eb Akademik, dhe kur ishte vet\u00ebm 32 vje\u00e7 u em\u00ebrua Profesor i Perspektiv\u00ebs.<\/span><\/p>\n

Turner ishte gjithashtu shum\u00eb sip\u00ebrmarr\u00ebs. Hapi galerin\u00eb e tij private, k\u00ebrkonte klient\u00eb t\u00eb pasur dhe ishte gjithmon\u00eb n\u00eb k\u00ebrkim t\u00eb projekteve t\u00eb reja artistike q\u00eb do t\u00eb t\u00ebrhiqnin publikun dhe do t\u00eb ishin fitimprur\u00ebse. N\u00eb nj\u00ebfar\u00eb m\u00ebnyre, \u201cThe Fighting Temeraire\u201d p\u00ebrmbush d\u00ebshir\u00ebn e tij p\u00ebr popullaritet, sepse p\u00ebr\u00e7on ndjenja t\u00eb forta krenarie komb\u00ebtare.<\/span><\/p>\n

Duke kombinuar n\u00eb m\u00ebnyr\u00eb mbres\u00ebl\u00ebn\u00ebse t\u00eb vjetr\u00ebn me t\u00eb ren\u00eb, kjo piktur\u00eb paraqet nj\u00eb ndryshim t\u00eb madh fillimin e nj\u00eb epoke t\u00eb re, t\u00eb pas-industrializmit, n\u00eb historin\u00eb njer\u00ebzore.<\/span><\/p>\n

Por kjo vep\u00ebr ka edhe nj\u00eb mesazh m\u00eb t\u00eb thell\u00eb se sa vet\u00ebm patriotiz\u00ebm apo ndjenja nostalgjie. V\u00ebmendja nuk duhet t\u00eb p\u00ebrqendrohet vet\u00ebm te anija e madhe, por edhe te rimorkiatori i vog\u00ebl \u2013 elementi i ri n\u00eb piktur\u00eb q\u00eb shpesh \u00ebsht\u00eb n\u00ebnvler\u00ebsuar. Ai \u00ebsht\u00eb n\u00eb t\u00eb v\u00ebrtet\u00eb qendra e mesazhit t\u00eb Turner.<\/span><\/p>\n

Avulli dhe makinerit\u00eb ishin risit\u00eb m\u00eb t\u00eb m\u00ebdha t\u00eb koh\u00ebs, dhe q\u00ebndrimi i Turner ndaj k\u00ebsaj teknologjie t\u00eb re ishte shum\u00eb m\u00eb kompleks sesa ai i autor\u00ebve si Thackeray, Melville apo edhe personazhit Q n\u00eb filmin\u00a0Skyfall<\/em>. N\u00eb piktura t\u00eb tjera si \u201cStuhia e d\u00ebbor\u00ebs \u2013 Vark\u00eb me avull\u201d (1842) apo \u201cShiu, avulli dhe shpejt\u00ebsia\u201d (1844), shihet qart\u00eb sa i magjepsur ishte ai nga makinerit\u00eb moderne dhe ndikimi i tyre n\u00eb jet\u00ebn e njeriut, n\u00eb mjedis dhe n\u00eb shoq\u00ebri.<\/span><\/p>\n

Kjo e ve\u00e7on Turner-in nga rivali i tij i madh, John Constable, i cili vinte nga nj\u00eb familje e pasur dhe zakonisht shmangte n\u00eb artin e tij ndryshimet e m\u00ebdha q\u00eb po ndodhnin n\u00eb Britani gjat\u00eb asaj kohe.<\/span><\/p>\n

N\u00eb piktur\u00ebn e famshme t\u00eb vitit 1821, \u201cThe Hay Wain\u201d, John Constable paraqet nj\u00eb karroc\u00eb t\u00eb vjet\u00ebr q\u00eb l\u00ebviz qet\u00ebsisht n\u00eb nj\u00eb peizazh t\u00eb bukur dhe t\u00eb qet\u00eb anglez. Ndryshe nga kjo, n\u00eb \u201cThe Fighting Temeraire\u201d, Turner vendos shikuesin p\u00ebrball\u00eb nj\u00eb force t\u00eb madhe q\u00eb po ndryshon bot\u00ebn \u2013 fuqis\u00eb s\u00eb industris\u00eb q\u00eb po p\u00ebrparon me shpejt\u00ebsi.<\/span><\/p>\n

\"\"<\/span>Nd\u00ebrsa John Constable e p\u00ebrshkruante fshatin britanik si t\u00eb qet\u00eb dhe piktoresk, Turner p\u00ebrqafoi ndryshimet q\u00eb preknin shoq\u00ebrin\u00eb n\u00eb artin e tij (Kredia: Galeria Komb\u00ebtare, Lond\u00ebr)<\/em><\/span><\/p>\n

Nd\u00ebrsa Constable e paraqiste fshatin britanik si t\u00eb pandryshuar dhe t\u00eb qet\u00eb, Turner p\u00ebrqafoi ndryshimet e m\u00ebdha q\u00eb po ndodhnin n\u00eb shoq\u00ebri dhe i solli ato n\u00eb veprat e tij. N\u00eb koh\u00ebn kur ai pikturoi \u201cThe Fighting Temeraire\u201d, Marina Mbret\u00ebrore kishte nisur t\u00eb p\u00ebrdorte gjithnj\u00eb e m\u00eb shum\u00eb anije me avull p\u00ebr t\u00eb l\u00ebvizur anijet e m\u00ebdha, dhe po fillonte t\u00eb z\u00ebvend\u00ebsonte flot\u00ebn me vela me fregata t\u00eb reja me motor.<\/span><\/p>\n

Por fundi i anijes Temeraire nuk ishte thjesht nd\u00ebrrim teknologjie \u2013 ishte nj\u00eb revolucion i v\u00ebrtet\u00eb n\u00eb bot\u00ebn detare. P\u00ebr mij\u00ebra vjet, detar\u00ebt l\u00ebviznin me er\u00eb ose me rrema. Tani, fal\u00eb avullit, ata mund t\u00eb sfidonin stuhit\u00eb, baticat dhe rreziqet e natyr\u00ebs. Ishte e qart\u00eb se e ardhmja do t\u00eb ishte e drejtuar nga energjia me avull \u2013 por askush nuk e dinte sakt\u00eb si do t\u00eb ndryshonte kjo m\u00ebnyr\u00ebn e udh\u00ebtimit, tregtis\u00eb apo luft\u00ebs n\u00eb det.<\/span><\/p>\n

Turner e kuptoi k\u00ebt\u00eb ndryshim t\u00eb madh. Q\u00eb nga koha e\u00a0Odises\u00eb<\/em> s\u00eb Homerit, lundrimi ka qen\u00eb nj\u00eb simbol i udh\u00ebtimit jet\u00ebsor. N\u00eb piktur\u00ebn e tij, ai bashkon t\u00eb vjetr\u00ebn me t\u00eb ren\u00eb dhe paraqet nj\u00eb moment t\u00eb fuqish\u00ebm kalimi fillimin e nj\u00eb epoke t\u00eb re, pas-industriale, n\u00eb jet\u00ebn njer\u00ebzore.<\/span><\/p>\n

Turner ishte i vet\u00ebdijsh\u00ebm p\u00ebr rolin q\u00eb artist\u00ebt duhet t\u00eb luajn\u00eb n\u00eb koh\u00eb ndryshimesh t\u00eb m\u00ebdha. Ai e kuptonte se koha e pikturimit t\u00eb anijeve me vela, me detaje dekorative dhe zbukurime klasike, po p\u00ebrfundonte. Sfida e koh\u00ebs moderne p\u00ebr artist\u00ebt, sipas tij, ishte t\u00eb shihnin bukurin\u00eb dhe r\u00ebnd\u00ebsin\u00eb n\u00eb gj\u00ebrat e reja\u00a0 n\u00eb forma q\u00eb nuk ishin p\u00ebrshkruar m\u00eb par\u00eb n\u00eb art, si motor\u00ebt, pistoni, valvulat apo rrotat e makinave.<\/span><\/p>\n

N\u00eb \u201cThe Fighting Temeraire\u201d, Turner e p\u00ebrballon k\u00ebt\u00eb sfid\u00eb me guxim, duke e kthyer rimorkiatorin me avull q\u00eb shpesh shihej si \u201ci keq\u201d n\u00eb nj\u00eb simbol t\u00eb fort\u00eb t\u00eb transformimit.<\/span><\/p>\n

Turner gjithashtu ndryshoi edhe stilin e tij t\u00eb piktur\u00ebs p\u00ebr t\u2019u p\u00ebrshtatur me k\u00ebt\u00eb tem\u00eb. Ai p\u00ebrdori pigmente t\u00eb reja si Lemon Yellow dhe Scarlet Lake dhe, sipas analizave, eksperimentonte me p\u00ebrb\u00ebr\u00ebs nga kuzhina p\u00ebr t\u00eb krijuar efektet q\u00eb d\u00ebshironte \u2013 si dhjami, yndyra e gatimit apo vaji i sallat\u00ebs.<\/span><\/p>\n

Interesi i tij p\u00ebr teknologjin\u00eb dhe p\u00ebr teknika t\u00eb reja ndikoi drejtp\u00ebrdrejt te artist\u00ebt e brezit pasardh\u00ebs. Piktor\u00ebt impresionist\u00eb si Claude Monet dhe Camille Pissarro ishin t\u00eb mahnitur nga puna e Turner. Nj\u00eb gdhendje e piktur\u00ebs s\u00eb tij \u201cShiu, avulli dhe shpejt\u00ebsia\u201d u shfaq edhe n\u00eb ekspozit\u00ebn e par\u00eb impresioniste n\u00eb Paris, n\u00eb vitin 1874 nj\u00eb moment i r\u00ebnd\u00ebsish\u00ebm n\u00eb historin\u00eb e artit modern.<\/span><\/p>\n

\"\"<\/span>La Lokomotiva e F\u00e9lix Bracquemond, 1873, e bazuar n\u00eb shiun, avullin dhe shpejt\u00ebsin\u00eb e Turnerit, u shfaq n\u00eb ekspozit\u00ebn e par\u00eb impresioniste n\u00eb Paris (Kredia: Muzeu Metropolitan)<\/em><\/span><\/p>\n

N\u00eb vitin 2025, p\u00ebr nder t\u00eb 250-vjetorit t\u00eb lindjes s\u00eb tij m\u00eb 23 prill, Turner do t\u00eb nderohet me disa ekspozita n\u00eb vende si Galeria e Arteve Walker n\u00eb Liverpool, Sht\u00ebpia e Turnerit n\u00eb Twickenham dhe Qendra Yale p\u00ebr Artin Britanik n\u00eb SHBA.<\/span><\/p>\n

Megjith\u00ebse shpesh konsiderohet si nj\u00eb piktur\u00eb nostalgjike p\u00ebr koh\u00ebt e kaluara, \u201cThe Fighting Temeraire\u201d ka n\u00eb thelb nj\u00eb mesazh shum\u00eb m\u00eb t\u00eb fuqish\u00ebm. Ajo flet p\u00ebr ndryshim dhe p\u00ebr transformim jo p\u00ebr vajtim. Turner na m\u00ebson t\u00eb mos kemi frik\u00eb nga risia dhe t\u00eb mos mbetemi t\u00eb ngjitur pas s\u00eb kaluar\u00ebs. Kjo qasje ndaj bot\u00ebs \u00ebsht\u00eb, n\u00eb fakt, trash\u00ebgimia m\u00eb e q\u00ebndrueshme q\u00eb ai i ka l\u00ebn\u00eb artit modern.<\/span><\/p>\n

VINI RE:<\/span><\/strong> Ky artikull \u00ebsht\u00eb pron\u00ebsi intelektuale e BBC<\/a><\/strong><\/span><\/span><\/p>\n

P\u00ebrshtati p\u00ebr Hashtag.al,<\/span> Aurora Hoxha<\/span><\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

Nd\u00ebrsa muzet\u00eb n\u00eb mbar\u00eb bot\u00ebn festojn\u00eb 250-vjetorin e lindjes s\u00eb JMW Turner, \u00ebsht\u00eb momenti t\u00eb rishikojm\u00eb piktur\u00ebn e tij t\u00eb famshme \u201cThe Fighting Temeraire\u201d Piktura \u201cThe Fighting Temeraire\u201d e JMW Turner-it u b\u00eb nj\u00eb simbol komb\u00ebtar kur u prezantua p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb vitin 1839 dhe q\u00eb at\u00ebher\u00eb ka ruajtur fam\u00ebn e saj. Ajo […]<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":49,"featured_media":736368,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53,6],"tags":[],"class_list":["post-736367","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fast-foodi","category-nderkombetare"],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/posts\/736367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/users\/49"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/comments?post=736367"}],"version-history":[{"count":99999,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/posts\/736367\/revisions"}],"predecessor-version":[{"id":736375,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/posts\/736367\/revisions\/736375"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/media\/736368"}],"wp:attachment":[{"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/media?parent=736367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/categories?post=736367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/tags?post=736367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}