{"id":658842,"date":"2024-03-05T10:27:22","date_gmt":"2024-03-05T09:27:22","guid":{"rendered":"https:\/\/www.hashtag.al\/?p=658842"},"modified":"2024-03-05T10:27:22","modified_gmt":"2024-03-05T09:27:22","slug":"tregtari-i-venedikut-dhe-instrumentalizimi-i-artit","status":"publish","type":"post","link":"https:\/\/www.hashtag.al\/index.php\/2024\/03\/05\/tregtari-i-venedikut-dhe-instrumentalizimi-i-artit\/","title":{"rendered":"“Tregtari i Venedikut” dhe instrumentalizimi i artit","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"
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Al Pacino n\u00eb filmin “Tregtari i Venedikut”<\/span><\/em><\/p><\/div>\n

N\u00eb vepr\u00ebn “Tregtari i Venecias”, Shekspiri d\u00ebnon nj\u00eb mij\u00ebvje\u00e7ar vuajtjesh: pa frik\u00eb, kjo \u00ebsht\u00eb e drejta e tij si poet. Ai paraqet nj\u00eb pamje mizore t\u00eb urrejtjes midis racave dhe armiq\u00ebsis\u00eb midis per\u00ebndive. (<\/span><\/em><\/span>Jos\u00e9 Ortega y Gasset)<\/em><\/strong><\/p><\/blockquote>\n

“Tregtari i Venecias” i Shekspirit dhe p\u00ebrshtatja filmike e dram\u00ebs nga Michael Radford n\u00eb vitin 2004 eksplorojn\u00eb tem\u00ebn e fajdeve dhe karakterin e Shylock, nj\u00eb huadh\u00ebn\u00ebs hebre. <\/span><\/p>\n

Artefaktet q\u00eb kemi nga ajo koh\u00eb d\u00ebshmojn\u00eb se sa e diskutueshme \u00ebsht\u00eb tema e fajdeve n\u00eb shoq\u00ebrit\u00eb evropiane. <\/span><\/p>\n

P\u00ebrtej \u00e7\u00ebshtjeve q\u00eb lexuesi modern mund t\u00eb gjej\u00eb n\u00eb vepr\u00ebn e Shekspirit, kjo e fundit \u00ebsht\u00eb vet\u00eb d\u00ebshmi e kalimit t\u00eb njeriut t\u00eb Rilindjes nga \u2018vita contemplativa\u2019, karakteristik\u00eb e m\u00ebnyr\u00ebs s\u00eb jetes\u00ebs s\u00eb mesjet\u00ebs s\u00eb von\u00eb, n\u00eb \u2018vita aktive\u2019, karakteristik\u00eb e asaj moderne. Fakti q\u00eb biznesi b\u00ebhet i suksessh\u00ebm n\u00eb dob\u00ebsimin e kish\u00ebs dhe nocionet e saj p\u00ebr m\u00ebkatin \u00ebsht\u00eb nj\u00eb shembull i k\u00ebsaj.<\/span><\/p>\n

Megjithat\u00eb, t\u00eb dy veprat i qasen n\u00eb m\u00ebnyra t\u00eb ndryshme aspektit antisemitik dhe tem\u00ebs s\u00eb kamat\u00ebs. Gjat\u00eb leximit, mbani n\u00eb mend se kryevepra e Shekspirit \u00ebsht\u00eb nj\u00eb testament i koh\u00ebs s\u00eb tij, nd\u00ebrsa filmi i Radford merr n\u00eb konsiderat\u00eb t\u00eb gjitha implikimet e vepr\u00ebs origjinale bazuar n\u00eb k\u00ebrkime t\u00eb plota. <\/span><\/p>\n

P\u00ebr t\u00eb kuptuar shfaqjen si dhe momentin kryesor n\u00eb t\u00eb, le t\u00eb b\u00ebjm\u00eb nj\u00eb hap prapa dhe t\u00eb shohim ngjarjet kryesore q\u00eb q\u00ebndrojn\u00eb n\u00eb themel t\u00eb Evrop\u00ebs s\u00eb Rilindjes. Kjo do t\u00eb na ndihmoj\u00eb t\u00eb kuptojm\u00eb “Tregtarin e Venecias” n\u00eb kontekstin e tij historik.<\/span><\/p>\n

I gjith\u00eb problemi i kamat\u00ebs, apo huadh\u00ebnies p\u00ebr fitim, i pushtoi si udh\u00ebheq\u00ebsit fetar\u00eb, ashtu edhe ata laik\u00eb. Arriti deri n\u00eb pik\u00ebn ku u miratuan disa ligje t\u00eb ndryshme n\u00eb Angli n\u00ebn monark\u00ebt e saj Tudor p\u00ebr t\u00eb ndaluar ose rregulluar praktik\u00ebn, si\u00e7 njihej gjat\u00eb k\u00ebsaj periudhe. <\/span><\/p>\n

Debatet u ndez\u00ebn n\u00eb Parlament. <\/span><\/p>\n

Nj\u00eb projektligj kompromisi u miratua n\u00eb vitin 1571 i quajtur \u201cAkti kund\u00ebr fajdes\u00eb\u201d, sipas t\u00eb cilit kamata ishte moralisht e gabuar. Megjithat\u00eb, ai lejoi kreditimin me interes n\u00eb nj\u00eb norm\u00eb q\u00eb nuk kalonte 10 p\u00ebr qind. <\/span><\/p>\n

Ashtu si n\u00eb polemik\u00ebn mbi q\u00ebndrimin ndaj hebrenjve, katolik\u00ebt dhe protestant\u00ebt ndryshuan mes dhe nd\u00ebrmjet tyre p\u00ebr \u00e7\u00ebshtjen e kamat\u00ebs. Disa e pan\u00eb at\u00eb absolutisht t\u00eb mjerueshme dhe t\u00eb d\u00ebnueshme, nd\u00ebrsa t\u00eb tjer\u00eb e kuptuan nevoj\u00ebn praktike p\u00ebr nj\u00eb form\u00eb huadh\u00ebnieje me interes, me kusht q\u00eb t\u00eb mos ishte e d\u00ebmshme p\u00ebr ask\u00ebnd ose e tepruar.<\/span><\/p>\n

\u00c7ifut\u00ebt, t\u00eb cil\u00ebt nuk ishin t\u00eb vetmit t\u00eb p\u00ebrfshir\u00eb n\u00eb huadh\u00ebnien e parave, menduan gjithashtu p\u00ebr problemet q\u00eb p\u00ebrfshinte huadh\u00ebnia p\u00ebr t\u00eb tjer\u00ebt jasht\u00eb fes\u00eb s\u00eb tyre.<\/span><\/p>\n

Megjithat\u00eb, fajdeja konsiderohej si jo e krishter\u00eb. Dhe p\u00ebr aq sa Kisha ushtroi ndikimin dhe fuqin\u00eb e saj t\u00eb konsiderueshme, ajo ishte e ndaluar p\u00ebr shekuj, t\u00eb pakt\u00ebn deri n\u00eb ngritjen e sip\u00ebrmarrjeve kapitaliste, t\u00eb cilat ndjenin nevoj\u00ebn p\u00ebr kredi me interes p\u00ebr t\u00eb nxitur tregtin\u00eb. <\/span><\/p>\n

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Bankier\u00ebt italian\u00eb, t\u00eb till\u00eb si Medicis n\u00eb Itali, ishin n\u00eb krye t\u00eb atyre q\u00eb k\u00ebmb\u00ebngulnin n\u00eb praktik\u00ebn e fajdeve si t\u00eb nevojshme p\u00ebr zgjerimin e biznesit. Dhe ata kishin Pap\u00ebn e tyre p\u00ebr ta garantuar.<\/span><\/p>\n

Pas tek drama e Shekspirit, personazhi i Shylock-ut portretizohet si nj\u00eb huadh\u00ebn\u00ebs stereotip hebre, i pangopur dhe i pashpirt. Gjuha e p\u00ebrdorur p\u00ebr t\u00eb p\u00ebrshkruar Shylock \u00ebsht\u00eb shpesh posht\u00ebruese dhe \u00e7njer\u00ebzore, gj\u00eb q\u00eb thekson m\u00eb tej paragjykimet negative q\u00eb lidhen me hebrejt\u00eb. Ai paraqitet si antagonisti i historis\u00eb dhe k\u00ebrkesa e tij p\u00ebr nj\u00eb kile mish si kolateral p\u00ebr nj\u00eb hua \u00ebsht\u00eb pasqyrim i k\u00ebsaj.<\/span><\/p>\n

Megjithat\u00eb, shfaqja e Shekspirit duhet kuptuar edhe n\u00eb kontekstin se si u pan\u00eb hebrenjt\u00eb jo vet\u00ebm gjat\u00eb, por edhe para Rilindjes gjat\u00eb gjith\u00eb historis\u00eb jo vet\u00ebm t\u00eb Anglis\u00eb, por edhe t\u00eb Evrop\u00ebs n\u00eb p\u00ebrgjith\u00ebsi. Meqen\u00ebse Shekspiri ishte nj\u00eb dramaturg anglez, s\u00eb pari duhet t\u00eb zbulojm\u00eb se cilat ishin ngjarjet e koh\u00ebs q\u00eb mund t\u00eb ken\u00eb frym\u00ebzuar vepr\u00ebn e tij.<\/span><\/p>\n

Nj\u00eb pjes\u00eb e konsiderueshme e informacionit t\u00eb zbuluar mbi k\u00ebt\u00eb tem\u00eb lidhet me ngjarjet n\u00eb Lond\u00ebr n\u00eb koh\u00ebn kur Shekspiri po shkruante ose po mendonte t\u00eb shkruante “Tregtarin e Venecias”. <\/span><\/p>\n

P\u00ebr shembull, shfaqja e Marlowe “Hebreu i Malt\u00ebs” (1588) datohej n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb kur nj\u00eb mjek hebre u gjykua dhe u shpall fajtor p\u00ebr p\u00ebrpjekjen p\u00ebr t\u00eb helmuar mbret\u00ebresh\u00ebn Elizabeth. Kjo ngjarje dhe disa t\u00eb ngjashme besohet se kan\u00eb luajtur nj\u00eb rol kritik n\u00eb zhvillimin e Shylock, si nj\u00eb figur\u00eb gjakatare dhe mizore.<\/span><\/p>\n

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Shylock (Jonathan Pryce) dhe Antonio (Dominic Mafham)<\/span><\/em><\/p><\/div>\n

\u00cbsht\u00eb e r\u00ebnd\u00ebsishme t\u00eb theksohet se shfaqja konsiderohet t\u00eb ket\u00eb b\u00ebr\u00eb shum\u00eb d\u00ebme historike me kalimin e koh\u00ebs p\u00ebr komunitetet hebreje n\u00eb t\u00eb gjith\u00eb Evrop\u00ebn. \u00cbsht\u00eb p\u00ebrdorur p\u00ebr q\u00ebllime t\u00eb ndryshme politike. <\/span><\/p>\n

\u00c7udit\u00ebrisht, tiparet e ekzagjeruara t\u00eb Shylock sh\u00ebrbyen si frym\u00ebzim p\u00ebr autor\u00ebt e propagand\u00ebs fashiste antisemitike n\u00eb Itali, Rusi, Serbi dhe vende t\u00eb tjera n\u00eb fund t\u00eb shekullit t\u00eb kaluar. Shfaqja u p\u00ebrdor edhe nga regjimi nazist n\u00eb Gjermani p\u00ebr q\u00ebllime t\u00eb ngjashme. Ajo u nd\u00ebrtua n\u00eb nj\u00eb m\u00ebnyr\u00eb q\u00eb afirmonte bindjet antisemite t\u00eb regjimit.<\/span><\/p>\n

“Shit\u00ebsi” ishte nj\u00eb shfaqje e parap\u00eblqyer n\u00eb epok\u00ebn e hershme naziste midis 1933 dhe 1939 dhe u luajt rreth 50 her\u00eb gjat\u00eb asaj periudhe. “Tregtari i Venecias” m\u00eb i famsh\u00ebm i viteve naziste u shfaq n\u00eb Teatrin Burg n\u00eb Vjen\u00eb n\u00eb maj 1943. <\/span><\/p>\n

Citimi i m\u00ebposht\u00ebm \u00ebsht\u00eb nj\u00eb p\u00ebrshkrim i hyrjes s\u00eb Shylock nga nj\u00eb kritik: “mes nj\u00eb p\u00ebrplasje dhe nj\u00eb seri t\u00eb \u00e7uditshme hijesh, “Di\u00e7ka tmerr\u00ebsisht e huaj dhe befasuese e neveritshme dep\u00ebrtoi n\u00ebp\u00ebr sken\u00eb.”<\/span><\/p>\n

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Karikatur\u00eb p\u00ebr nj\u00eb takim t\u00eb Partis\u00eb Naziste<\/span><\/em><\/p><\/div>\n

Megjithat\u00eb, duhet t\u00eb kemi parasysh se “Tregtari i Venedikut” nuk u shkrua fillimisht me k\u00ebto ideologji n\u00eb mendje, edhe pse \u00ebsht\u00eb e nj\u00ebanshme historikisht dhe se \u00ebsht\u00eb pik\u00ebrisht interpretimi dhe p\u00ebrdorimi i shfaqjes q\u00eb ka qen\u00eb problematik n\u00eb k\u00ebto kontekste.<\/span><\/p>\n

N\u00eb shfaqje, Shylock thot\u00eb,<\/span><\/p>\n

“Un\u00eb do t\u00eb kem zemr\u00ebn e tij n\u00ebse ai humbet, sepse po t\u00eb ishte jasht\u00eb Venecias, un\u00eb mund ta b\u00ebja at\u00eb nj\u00eb njeri t\u00eb madh.” <\/em><\/span>(Akti 3, Skena 1)<\/span><\/p><\/blockquote>\n

Ky citim nxjerr n\u00eb pah vendosm\u00ebrin\u00eb e Shylock p\u00ebr t\u00eb d\u00ebmtuar Antonion. Shfaqja gjithashtu portretizon fajden si nj\u00eb m\u00ebkat, dhe Shylock nd\u00ebshkohet p\u00ebr t\u00eb duke u detyruar t\u00eb konvertohet n\u00eb krisht\u00ebrim dhe duke humbur k\u00ebshtu pasurin\u00eb e tij.<\/span><\/p>\n

N\u00eb Aktin 4, Skena 1, Portia thot\u00eb,<\/span><\/p>\n

\u201cCil\u00ebsia e m\u00ebshir\u00ebs nuk \u00ebsht\u00eb e tendosur; bie si shiu i but\u00eb nga qielli mbi vendin posht\u00eb. \u00cbsht\u00eb e bekuar dy her\u00eb; bekon at\u00eb q\u00eb jep dhe at\u00eb q\u00eb merr.\u201d<\/em><\/span><\/p><\/blockquote>\n

Ky citat nxjerr n\u00eb pah tem\u00ebn e m\u00ebshir\u00ebs dhe nd\u00ebshkimit t\u00eb kamat\u00ebs dhe se si k\u00ebmb\u00ebngul se \u00ebsht\u00eb di\u00e7ka q\u00eb \u00e7do hebre duhet t’i m\u00ebsoj\u00eb.<\/span><\/p>\n

N\u00eb t\u00eb kund\u00ebrt, p\u00ebrshtatja filmike e Michael Radford paraqet nj\u00eb portret m\u00eb t\u00eb nd\u00ebrlikuar dhe me m\u00eb shum\u00eb ngjyra t\u00eb Shylock. <\/span><\/p>\n

P\u00ebrshtatja n\u00eb ekran e “Tregtarit t\u00eb Venecias” duhet t\u00eb ishte planifikuar me nj\u00eb shkall\u00eb rreziku p\u00ebr regjisorin, sepse, q\u00eb nga Holokausti, shfaqja e Shekspirit ka qen\u00eb nj\u00eb spektak\u00ebl i dyshimt\u00eb n\u00eb Evrop\u00eb. Me vler\u00ebsime relativisht t\u00eb larta, filmi arrin t\u00eb nxjerr\u00eb n\u00eb pah cil\u00ebsit\u00eb njer\u00ebzore t\u00eb Shylock dhe t’i v\u00ebr\u00eb p\u00ebrball\u00eb atyre t\u00eb njeriut t\u00eb Rilindjes n\u00eb p\u00ebrgjith\u00ebsi.<\/span><\/p>\n

Filmi e portretizon at\u00eb si viktim\u00eb t\u00eb diskriminimit dhe antisemitizmit dhe k\u00ebrkesa e tij p\u00ebr “nj\u00eb kile mish” shfaqet si nj\u00eb akt i d\u00ebshp\u00ebruar i nj\u00eb njeriu t\u00eb shtyr\u00eb n\u00eb zgrip nga diskriminimi dhe keqtrajtimi me t\u00eb cilin \u00ebsht\u00eb p\u00ebrballur.<\/span><\/p>\n

N\u00eb film, Shylock thot\u00eb,<\/span><\/p>\n

\u201cUn\u00eb e dua hebreun. A i keni v\u00ebn\u00eb re syt\u00eb e hebrenjve? A nuk i keni v\u00ebn\u00eb re duart, organet, dimensionet, shqisat, afeksionet dhe pasionet e nj\u00eb \u00e7ifuti? I ushqyer me t\u00eb nj\u00ebjtin ushqim, i l\u00ebnduar me t\u00eb nj\u00ebjtat arm\u00eb, i n\u00ebnshtruar ndaj t\u00eb nj\u00ebjtave s\u00ebmundje, i sh\u00ebruar me t\u00eb nj\u00ebjtat mjete, i ngrohur dhe i ftohur nga i nj\u00ebjti dim\u00ebr dhe ver\u00eb, si\u00e7 \u00ebsht\u00eb nj\u00eb i krishter\u00eb?\u201d <\/em><\/span>(Akti 3, Skena 1)<\/span><\/p><\/blockquote>\n

Ky citim nxjerr n\u00eb pah humanitetin e Shylock dhe tregon se si ai nuk \u00ebsht\u00eb i ndrysh\u00ebm nga t\u00eb krishter\u00ebt. Ai \u00ebsht\u00eb nj\u00eb p\u00ebrfaq\u00ebsi e t\u00eb gjitha pakicave t\u00eb margjinalizuara dhe n\u00eb film, ata q\u00eb e shtypin tregohen jo m\u00eb pak se racist\u00eb. K\u00ebto p\u00ebrpjekje humanizuese mb\u00ebshteten kryesisht n\u00eb fjalimin e Shylock “Nuk ka nj\u00eb \u00e7ifut”.<\/em><\/span><\/p>\n

Shk\u00eblqimi i filmit q\u00ebndron n\u00eb portretizimin e suksessh\u00ebm dhe dinjitoz t\u00eb Shylock. Ashtu si t\u00eb gjith\u00eb personazhet e m\u00ebdhenj t\u00eb Shekspirit, tregtari p\u00ebrfaq\u00ebson nj\u00eb njer\u00ebzim q\u00eb i kap\u00ebrcen betejat, besimet dhe idet\u00eb e tij personale, pavar\u00ebsisht se mish\u00ebronte metaforat antisemite q\u00eb ishin t\u00eb p\u00ebrhapura n\u00eb koh\u00ebn e autorit. <\/span><\/p>\n

Ai nuk \u00ebsht\u00eb nj\u00eb personazh nj\u00ebdimensional. Ai tregohet se shpreh ndjenja t\u00eb tilla si vuajtja dhe g\u00ebzimi. Megjith\u00ebse e p\u00ebrjashton loj\u00ebn nga \u00ebmb\u00eblsimi ose racionalizimi, paraqitja intensive e Al Pacino-s si Shylock tregon arsyet e personazhit.<\/span><\/p>\n

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Vendimi i ekipit q\u00eb q\u00ebndron pas filmit p\u00ebr t\u00eb paraqitur kontekstin n\u00eb nj\u00eb lloj m\u00ebnyre revizioniste (i cili b\u00ebhet i njohur n\u00eb Aktin 1, Skena 3) p\u00ebrpara momentit t\u00eb marr\u00ebveshjes 3000 dollar\u00ebshe \u00ebsht\u00eb \u00e7el\u00ebsi p\u00ebr vler\u00ebsimin e filmit. <\/span><\/p>\n

Filmi fillon me nj\u00eb p\u00ebrshkrim t\u00eb shkurt\u00ebr t\u00eb ngjarjeve n\u00eb Itali n\u00eb at\u00eb koh\u00eb, duke u p\u00ebrqendruar n\u00eb fjal\u00ebn “geto”. Vet\u00eb fjala \u00ebsht\u00eb me origjin\u00eb veneciane, e krijuar posa\u00e7\u00ebrisht p\u00ebr nj\u00eb vend n\u00eb qytet ku hebrenjt\u00eb u detyruan t\u00eb jetonin q\u00eb nga viti 1516 e tutje. <\/span><\/p>\n

Nga ky kontekstualizim del qart\u00eb se kjo e fundit \u00ebsht\u00eb marr\u00eb n\u00eb lidhje me burimet historike. Dikush mund t\u00eb argumentoj\u00eb se funksionon drejt p\u00ebrmir\u00ebsimit t\u00eb objektivitetit t\u00eb komplotit dhe zhvendosjes s\u00eb tij p\u00ebrtej problemeve t\u00eb origjinalit.<\/span><\/p>\n

P\u00ebr m\u00eb tep\u00ebr, filmi p\u00ebrfshin gjithashtu nj\u00eb fund t\u00eb ndrysh\u00ebm nga shfaqja, ku Bassanio zgjedh t\u00eb martohet me vajz\u00ebn e Shylock, Jessica, dhe Portia zgjedh t\u00eb martohet me Princin e Marokut. Vet\u00eb Shylock largohet nga Venecia dhe kthehet n\u00eb atdheun e tij.<\/span><\/p>\n

Ky ndryshim n\u00eb fund e shtyn n\u00eb plan t\u00eb par\u00eb tem\u00ebn e diskriminimit dhe pasojat e tij p\u00ebr personazhet, si dhe shton nj\u00eb shtres\u00eb t\u00eb re n\u00eb histori, duke lejuar k\u00ebshtu nj\u00eb interpretim t\u00eb ndrysh\u00ebm t\u00eb temave dhe motiveve n\u00eb loj\u00eb.<\/span><\/p>\n

P\u00ebr ta p\u00ebrmbledhur, nd\u00ebrsa “Tregtari i Venecias” i Shekspirit dhe p\u00ebrshtatja filmike e Radfordit e dram\u00ebs n\u00eb vitin 2004, t\u00eb dyja p\u00ebrshkruajn\u00eb tem\u00ebn e fajdeve dhe karakterin e Shylock, ato i qasen aspektit antisemitik dhe tem\u00ebs n\u00eb m\u00ebnyra t\u00eb ndryshme. <\/span><\/p>\n

Shfaqja p\u00ebrjet\u00ebson – ndryshe nga sa pretendon Ortega Gasset n\u00eb hapjen e k\u00ebtij reflektimi – stereotipe negative t\u00eb popullit hebre si huadh\u00ebn\u00ebs t\u00eb pam\u00ebshirsh\u00ebm.<\/span><\/p>\n

Filmi, nga ana tjet\u00ebr, paraqet nj\u00eb portretizim m\u00eb human dhe kompleks t\u00eb Shylock-ut si viktim\u00eb dhe mund t\u00eb jet\u00eb m\u00eb i p\u00ebrshtatsh\u00ebm p\u00ebr v\u00ebzhgimin e Orteg\u00ebs. <\/span><\/p>\n

Aq m\u00eb tep\u00ebr, n\u00eb film personazhi i Antonio \u00ebsht\u00eb vet\u00eb fajdexhi. Me k\u00ebt\u00eb, Redfort e paraqet fajden jo si nj\u00eb m\u00ebkat ekskluziv p\u00ebr hebrenjt\u00eb, por si nj\u00eb praktik\u00eb t\u00eb zakonshme midis t\u00eb gjith\u00eb tregtar\u00ebve. Dhe jo vet\u00ebm gjat\u00eb asaj kohe, por \u00e7do kohe.<\/span><\/p>\n

VINI RE<\/strong><\/span>: Ky material \u00ebsht\u00eb pron\u00ebsi intelektuale e Medium<\/a><\/span><\/span><\/p>\n

P\u00ebrgatiti p\u00ebr Hashtag.al,<\/span> Klodian Manjani<\/span><\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

N\u00eb vepr\u00ebn “Tregtari i Venecias”, Shekspiri d\u00ebnon nj\u00eb mij\u00ebvje\u00e7ar vuajtjesh: pa frik\u00eb, kjo \u00ebsht\u00eb e drejta e tij si poet. Ai paraqet nj\u00eb pamje mizore t\u00eb urrejtjes midis racave dhe armiq\u00ebsis\u00eb midis per\u00ebndive. (Jos\u00e9 Ortega y Gasset) “Tregtari i Venecias” i Shekspirit dhe p\u00ebrshtatja filmike e dram\u00ebs nga Michael Radford n\u00eb vitin 2004 eksplorojn\u00eb tem\u00ebn […]<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":51,"featured_media":658846,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-658842","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ballina"],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/posts\/658842","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/comments?post=658842"}],"version-history":[{"count":0,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/posts\/658842\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/media\/658846"}],"wp:attachment":[{"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/media?parent=658842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/categories?post=658842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/tags?post=658842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}