{"id":241837,"date":"2018-10-15T21:10:48","date_gmt":"2018-10-15T19:10:48","guid":{"rendered":"https:\/\/hashtag.al\/?p=241837"},"modified":"2018-10-16T13:10:26","modified_gmt":"2018-10-16T11:10:26","slug":"vihet-ne-skena-vepra-e-tolstoy-t-ate-sergi-regji-e-fatos-berishes","status":"publish","type":"post","link":"https:\/\/www.hashtag.al\/index.php\/2018\/10\/15\/vihet-ne-skena-vepra-e-tolstoy-t-ate-sergi-regji-e-fatos-berishes\/","title":{"rendered":"Vihet n\u00eb skena vepra e Tolstoy-t “At\u00eb Sergi”, regji e Fatos Berish\u00ebs","gt_translate_keys":[{"key":"rendered","format":"text"}]},"content":{"rendered":"

\"\"<\/p>\n

‘PAGAN Tirana’ dhe ‘Teatri URBAN’ n\u00eb\u00a0 Prishtin\u00eb ka prez<\/span>antuar s\u00eb fundmi vepr\u00ebn e Tolstoy-t “At\u00eb Sergi”.\u00a0 Kjo vep\u00ebr \u00ebsht\u00eb p\u00ebrshtatur n\u00eb sken\u00eb nga\u00a0Shp\u00ebtim Selmani, me regji t\u00eb\u00a0Fatos Berish\u00ebs dhe si producente Kozeta Kurti.\u00a0<\/span><\/p>\n

Kjo vep\u00ebr do interpretohet nga\u00a0 Igli Zarka,\u00a0 Rovena Lule,\u00a0 Lulzim Zeqja, Egla Ceno,\u00a0 Besmir Bitraku, Julinda Emiri,\u00a0 Valmir Krasniqi dhe Arta Lahu.<\/span><\/p>\n

Fabula e vepr\u00ebs<\/strong><\/span><\/p>\n

\u201cAt\u00eb Sergi\u201d \u00ebsht\u00eb nj\u00eb novel\u00eb e realizuar n\u00eb vitin 1890 dhe e publikuar n\u00eb 1898. N\u00eb 1917, regjisori rus Jakov Protazanov realizoi nj\u00eb film pa z\u00eb mbi k\u00ebt\u00eb novel\u00eb. Novela flet p\u00ebr princin Stefan Kasatzki. Ai ishte nj\u00eb ushtarak me karrier\u00eb t\u00eb suksesshme, q\u00eb zbulon tradh\u00ebtin\u00eb e t\u00eb fejuar\u00ebs s\u00eb vet pak para se t\u00eb martohet. I shqet\u00ebsuar dhe n\u00eb m\u00ebdyshje ai t\u00ebrhiqet n\u00eb ushtrin\u00eb e orthodoksis\u00eb ruse duke u b\u00ebr\u00eb nj\u00eb murg. Shum\u00eb vite posht\u00ebrimi dhe dyshimi pasuan dhe ai tashm\u00eb qe nj\u00eb heremit q\u00eb b\u00ebn mrekulli para fshatar\u00ebve. \u00c7aste provokimesh v\u00ebn\u00eb n\u00eb prov\u00eb besimin e tij dhe situata t\u00eb pafata t\u00eb provokimit fem\u00ebror e \u00e7ojn\u00eb n\u00eb d\u00ebshtim.<\/span><\/p>\n

Novela \u201cAt\u00eb Sergi\u201d i Tosltoit fillon me ambicien dhe inteligjen\u00ebn e princit bukurosh Stefan Kazatski. Ai u p\u00ebrpoq t\u00eb shk\u00eblqente n\u00eb gjith\u00e7ka; nisi karrier\u00ebn ushtarake dhe u p\u00ebrpoq t\u00eb hynte n\u00eb shtresat e shoq\u00ebris\u00eb pran\u00eb Carit. N\u00eb pamund\u00ebsi p\u00ebr t\u00eb dep\u00ebrtuar sa m\u00eb pran\u00eb tij, vendosi ta kryej\u00eb k\u00ebt\u00eb afrim n\u00ebp\u00ebrmjet martes\u00ebs. Ra n\u00eb dashuri me nj\u00eb kontesh\u00eb t\u00eb bukur. Princi idealizonte feminilitetin dhe i konsideronte grat\u00eb e pamartuara, si posedueset e nivelit m\u00eb t\u00eb lart\u00eb t\u00eb past\u00ebrtis\u00eb, nd\u00ebrgjegjes e ndershm\u00ebris\u00eb njer\u00ebzore. Grave ju p\u00eblqente nj\u00eb vler\u00ebsim i till\u00eb, sepse n\u00eb syt\u00eb e tij, dukeshin per\u00ebndesha. Meshkujt nga ana tjet\u00ebr, kishin leje me pash\u00eb p\u00ebr t\u00eb k\u00ebnaqur nevojat e tyre seksuale. Duke qen\u00eb se burrat ishin t\u00eb plotfuqish\u00ebm n\u00eb \u00e7\u00ebshtje q\u00eb lidheshin me seksin, virgj\u00ebria ose mungesa e saj ishin bekimi apo mallkimi m\u00eb i madh i tyre, ndryshe nga sot, kur \u00ebsht\u00eb p\u00ebrgjgj\u00ebsi e \u00e7do gjinie apo transgjinori t\u00eb vendos\u00eb me t\u00eb drejta t\u00eb plota mbi trupin e tij. P\u00ebrpara dasm\u00ebs, kontesha i rr\u00ebfeu se nuk ishte e virgj\u00ebr.<\/span><\/p>\n

Kjo e shqet\u00ebsoi aq shum\u00eb princin sa ai hoqi dor\u00eb nga bota, p\u00ebr t\u00eb cil\u00ebn ishte investuar aq shum\u00eb dhe hyri n\u00eb nj\u00eb manastir p\u00ebr t\u00eb jetuar nj\u00eb jet\u00eb t\u00eb past\u00ebr dhe me p\u00ebrkushtim ndaj Zotit. Sigurisht, si At\u00eb Sergi, ai u p\u00ebrpoq t\u00eb kishte devotshm\u00ebri ndaj vendimit t\u00eb tij, por gjith\u00ebsesi historia \u00ebsht\u00eb e hapur t\u00eb ket\u00eb edhe interpretime t\u00eb tjera, n\u00ebse At\u00eb Sergi, u kuptua n\u00eb pjes\u00ebn shpirt\u00ebrore dhe t\u00eb brendshme t\u00eb tij apo jo. Natyrisht, akti i thjesht\u00eb p\u00ebr t\u2019u b\u00ebr\u00eb murg, nuk \u00e7on n\u00eb shenjt\u00ebrin\u00eb e menj\u00ebhershme. Refuzimi ndaj joshjes e tundimit, magjia dhe magjepsja ndaj bot\u00ebs s\u00eb lir\u00eb, vet\u00ebm t\u00eb ekspozon akoma edhe m\u00eb shum\u00eb ndaj dy t\u00eb parave.<\/span><\/p>\n

Pra, sa m\u00eb shum\u00eb p\u00ebrpiqesh t\u2019i largohesh, aq m\u00eb tep\u00ebr l\u00ebshojn\u00eb rr\u00ebnj\u00eb t\u00eb dyja ato, edhe joshja, edhe tundimi. Grupi i pun\u00ebs s\u00eb k\u00ebsaj shfaqje, udh\u00ebhequr nga regjisori Fatos Berisha, jan\u00eb p\u00ebrpjekur t\u2019i q\u00ebndrojn\u00eb larg rrethanave q\u00eb ndodhin n\u00eb apo p\u00ebr shkak t\u00eb kontekstit fetar, por i jan\u00eb referuar \u201cnjeriut\u201d, q\u00ebnies humane t\u00eb brisht\u00eb, q\u00eb gabon, q\u00eb fal, q\u00eb merr hak, q\u00eb pendohet\u2026 <\/span><\/p>\n

Shp\u00ebrndarja e reprizave 25\/ 26\/ 27\/ 28 tetor\/ Teatri Komb\u00ebtar Eksperimental, salla \u201cMoliere\u201d ora 19.00 15\/16\/17\/18\/ 22\/ 23\/24\/ 25 n\u00ebntor ArTurbina, ora 19.00<\/span><\/p>\n

Instrumentist: Denis HIMA Skena: Sidia \u00c7epani Design: Ermal Koci Kostumet: Sofi Kara Muzika: Alban Laro Grimi: Marinela Halilaj Fotografia: Armand Sallabanda As\/regjisor: Kriks Dumo Sinops i shkurt\u00ebr.\u00a0<\/span><\/p>\n

\"\"<\/p>\n

\"\"<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"excerpt":{"rendered":"

‘PAGAN Tirana’ dhe ‘Teatri URBAN’ n\u00eb\u00a0 Prishtin\u00eb ka prezantuar s\u00eb fundmi vepr\u00ebn e Tolstoy-t “At\u00eb Sergi”.\u00a0 Kjo vep\u00ebr \u00ebsht\u00eb p\u00ebrshtatur n\u00eb sken\u00eb nga\u00a0Shp\u00ebtim Selmani, me regji t\u00eb\u00a0Fatos Berish\u00ebs dhe si producente Kozeta Kurti.\u00a0 Kjo vep\u00ebr do interpretohet nga\u00a0 Igli Zarka,\u00a0 Rovena Lule,\u00a0 Lulzim Zeqja, Egla Ceno,\u00a0 Besmir Bitraku, Julinda Emiri,\u00a0 Valmir Krasniqi dhe Arta Lahu. […]<\/p>\n","protected":false,"gt_translate_keys":[{"key":"rendered","format":"html"}]},"author":30,"featured_media":241851,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[65],"tags":[],"class_list":["post-241837","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lajme"],"gt_translate_keys":[{"key":"link","format":"url"}],"_links":{"self":[{"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/posts\/241837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/comments?post=241837"}],"version-history":[{"count":0,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/posts\/241837\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/media\/241851"}],"wp:attachment":[{"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/media?parent=241837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/categories?post=241837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hashtag.al\/index.php\/wp-json\/wp\/v2\/tags?post=241837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}